Gideon Rubin – Black Book

Black Book strikingly conveyed the racial hatred and diaspora of the past, and the themes explored are just as relevant to today

7 February 2018 to 15 April 2018

In 2018 the Freud Museum presented BLACK BOOK, an exhibition of new work by Gideon Rubin and the latest in a critically acclaimed series curated by James Putnam.

Black Book p.578, 25×37.5cm, gouache on paper, 2017

 

Rubin’s specially created project for Freud’s final residence related to the era of the late 1930s, when Freud left Vienna for London. It presented a series of paintings on canvas, linen and paper with subject matter drawn from original pre-WW2 German magazines that Rubin collected specifically for the project. These magazines contained idealised images of heath and efficiency to promote the myth of Aryan supremacy as Nazi propaganda.  Rubin subverted these images in his characteristic style by masking out the faces, Nazi references and swastika motifs. This process relates to our human tendency to block out unpleasant memories from our psyche.

Working on the project was Rubin’s way to engage with the past on a personal level. He identified Freud’s narrow escape from Vienna in 1938 with his own maternal grandparents’ escape from Nazi persecution, fleeing Romania at the last moment in 1939. Rubin situated this imagery within the context of Freud’s home. But these seemingly ‘innocent’ images belie their sinister undertones that allude to the Nazis subsequent mission to exterminate the Jews with Hitler’s ‘Final Solution’.

 

   

 

Mein Kampf was translated into English and published in London in 1939. Rubin acquired an original edition of Hitler’s infamous autobiography and systematically blacked out every page to create a series of abstract monochrome compositions. His systematic blacking out of Mein Kampf and the Nazi propaganda images represented a symbolic neutralising and negating of their sinister associations reflected in the exhibition’s title: BLACK BOOK.

Whilst BLACK BOOK strikingly conveyed the racial hatred and diaspora of the past, the themes explored are just as relevant to today – from the manipulation and subversion of the media, to racial conflict and war. We are living through a period of intolerance and conflict greater than any period since WW2 with an unprecedented 66.5 million people forcibly displaced worldwide.

 

untitled, 17x22cm, gouache on paper, 2017

 

The exhibition marked the beginning of the year in which the Freud Museum commemorates the 80th anniversary of the Freud family arriving in London. Sigmund Freud’s escape from Vienna was an international news story in June 1938, and in 2018 the museum uses its archives and collections to explore Freud’s status as a refugee in England, while so many others are being made refugees 80 years later.