The Madness of Medea: Meike Ziervogel and Lisa Dwan
Part of a season of performances, talks, films and events accompanying the 'Mad, Bad and Sad: Women and the Mind Doctors' exhibition 10 October 2013 - 2 February 2014.
Projections: Cinema and Hysteria
"What does it mean to be a woman?" "What does a woman want?" An exploration of female desire provides dynamically elusive answers to these eternal questions.
Virginia Woolf and the Perils of Hindsight
Part of a season of performances, talks, films and events accompanying the exhibition 'Mad, Bad and Sad: Women and the Mind Doctors', 10 October 2013 - 2 February 2014.
Can Artists Teach the Mind Doctors? Can Artworks be a Case Study?
Part of a season of performances, talks, films and events accompanying the exhibition 'Mad, Bad and Sad: Women and the Mind Doctors', 10 October 2013 - 2 February 2014.
A Writers’ Conversation: Lisa Appignanesi and Ruth Padel
Part of a season of performances, talks, films and events accompanying the exhibition 'Mad, Bad and Sad: Women and the Mind Doctors', 10 October 2013 - 2 February 2014
Anna Kavan and the Politics of Madness
Part of a season of performances, talks, films and events accompanying the exhibition 'Mad, Bad and Sad: Women and the Mind Doctors', 10 October 2013 - 2 February 2014.
Women in Prison, Women in Treatment
Part of a season of performances, talks, films and events accompanying the exhibition 'Mad, Bad and Sad: Women and the Mind Doctors', 10 October 2013 - 2 February 2014.
Susan Hiller in conversation with Susie Orbach
Critically acclaimed artist, Susan Hiller, In conversation with psychotherapist, psychoanalyst, writer and social critic Susie Orbach.
The Many Minds of Marilyn Monroe
Part of a season of performances, talks, films and events accompanying the exhibition 'Mad, Bad and Sad: Women and the Mind Doctors', 10 October 2013 - 2 February 2014.
Freud in Bloomsbury
The lecture will explore the reasons for The Bloomsbury group's affinity with psychoanalysis. It will also ask if the history of psychoanalysis in Britain has been radically different from other countries because of its original alliance with an entrenched anti-establishment elite from the English rentier class, both extremely well-connected and bohemian.